¶ … Blacks or African-American Groups and compare / contrast them with Whites people on the following characteristics: depiction in firms, treatment in society, and employment and education.
Depiction in Films
The mass media have long influenced the popular image of minorities. From the 19th century's journalism and ethnic cartoons to the imagery of contemporary movies and television, the mass media have contributed powerfully to the way that minority groups are viewed, including the ways minority members view themselves.
Hollywood has a long history of portraying African-Americans in a negative or stereotypical manner. In general, Blacks are presented as basically different from other people, as taking no relevant part in the life of the nation, as offering nothing, contributing nothing, expecting nothing. The negative images of blacks are fed by portrayals of blacks in movies, television and elsewhere, primarily portraying them as moonshine runners, criminals, and murderers. Some other depictions are blacks as dumb and eccentric people, country music lovers, back woods monsters, demented families, and confederates (Benzon, 1993).
Blacks are shown as dependent on whites and the film industry preaches the dictum of white superiority on the silver screen and the devaluation of the blacks in one-dimensional images as "criminals, servants, comics, athletes, and sidekicks."
Any discussion of the black race brings into discussion also the depiction of the white woman who is presented as the white man's property that runs the risk of possibly being stolen away by the black males (Benzon, 1993).
Public opinion surveys indicate that substantial segments of the United States majority population continue to hold stereotyped beliefs and prejudiced attitudes towards minority groups. According to public opinion research, widely-held "ethnic images" of both Blacks in the United States portray them, relative to majority-group members, as substantially less intelligent.
Onscreen and off, the history that Western culture has made typically denies blacks and black skin of historical reference, except as former slaves or savages. One of the prime codes surrounding blacks, particularly the black woman -- is seen as eternal, unchanging, unchangeable
Not very long ago, Blacks in film were relegated to roles in film that portrayed us as either bug-eyed, shuffling bucks, or big breasted sassy mammies and housekeepers....
Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.
Get Started Now